My friend Paul (who sends me awesome bike links) just sent me this, and I had to share. Especially since Mike is a Specialized, and that's who commissioned this little bit of cheerful lunacy: The Dance of the Sugarplum Fairies, played entirely on bicycle parts.
Click here for a complete explanation of where this came from and why: San Francisco composer Flip Baber says, of the process: "I recorded hours of bike sounds and edited the best chunks in BIAS Peak. After that, most of the spokes, cables and disc brakes were fed into the EXS24 Sampler within Logic Pro. It was super tricky since most of these metallic sounds have a pretty warped (no pun intended) overtone series. I interpreted the score by ear from a random mp3 I Limewired for reference. From there it was all about re-arranging the score in my head to compensate for the strange overtones. The source sounds were kept pretty raw besides some mild pitch shifting from keymapping & a touch of impulse response reverb to match the acoustical space of the orchestral reference recording. Between the road and mountain bike, there were octaves of difference (maybe I should get my wheels trued?) and they yielded some great sounds, most of which didn’t even get used…although they will end up on something eventually. Other than that, there were some automated volume swells and plenty of panning since you would associate a bike sounds with stereo movement. I hope this exposes my journey from bike to mixdown!"